September 18, 2008
If you’ve already seen Let Me Down Easy you’ll know that one of the characters portrayed by Anna Deavere Smith is Peter Gomes, the Minister of Harvard’s Memorial Church.
Peter appeared on The Colbert Report on Monday evening, and gave a hilarious and outrageous interview to Stephen Colbert. If you missed it, you’ll find it here.
June 9, 2008
Samuel Beckett’s Endgame is one of the most beautiful, enigmatic, and absurdly funny plays of the twentieth century. It is built as a kind of riddle, in which many meanings can be found – or, Beckett would probably prefer to say, no meaning. Read the rest of this entry »
June 5, 2008
Hungarian director János Szász has been a favorite with A.R.T. audiences since 2001, when he dazzled us with his breathtaking production of Mother Courage. Since then he has staged spectacular versions of Marat/Sade, Uncle Vanya, and Desire Under the Elms, always using the cavernous Loeb Stage to eye-popping effect.
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June 3, 2008
One of my earliest and happiest memories as a child in London was our annual visit to the Cirque Imaginaire, or “imaginary circus.”
Not really a circus so much as a fanciful show of acrobatics and illusion, it was breathtaking and magical. Read the rest of this entry »
May 27, 2008
Anne Washburn is one of my favorite young American playwrights. In plays such as The Internationalist, The Ladies, and Apparition, she has revealed wonderfully theatrical imagination, far removed from the realism and family dramas that currently dominate American and British playwriting.
Anne’s plays are purely theatrical; it’s hard to imagine them adapted as scripts for film or television. She delights in stage illusion, in ghosts, fantasies, and figments of our imagination. Her style reminds me somewhat of early Caryl Churchill, and she has something of Tony Kushner’s epic and historical sweep, but ultimately her voice is unique. Read the rest of this entry »
May 21, 2008
Anna Deavere Smith needs little introduction to A.R.T. audiences; many of you probably remember her electrifying performance in Fires in the Mirror, or encountered her during the multi-year Institute on Arts and Civic Dialogue. (You’ll also recognize her as Nancy McNally, National Security Advisor on The West Wing.)
Anna is one of the country’s greatest writers and performers, with a unique theatrical style. Each of her productions is an investigation into questions of political and personal identity – the LA race riots in Twilight: Los Angeles, 1992, the violent encounters between African-Americans and Lubavitch Jews in Crown Heights, Brooklyn in Fires in the Mirror. Read the rest of this entry »
May 19, 2008
Now that we have announced the A.R.T.’s 2008-09 season, and I wanted to share with you some of my thoughts as I assembled these seven productions. I hope you’ll agree that it’s a terrific line-up, consisting of seven very different theatrical experiences–new plays and classics, comedies and dramas, great epics and chamber pieces, with a healthy dose of spectacle and politics, heartbreak and whimsy.
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