Boston Phoenix

From the Boston Phoenix:

September Songs

But Daisey, citing influences as diverse as Lewis Black and Martin Luther King, would be the first to tell you he is not Spalding Gray. For one thing, he’s more interested in looking into the filthy, democratic maw of the MTA than at the lint at his midsection. Whenever his material threatens to go places he doesn’t want to, he returns — with deliberate and dramatic abruptness — to the underground warren of trains, which the Maine-raised Seattle emigrant has come to see as a sort of teeming metaphor for the awe-inspiring if hopelessly begrimed civility of his improbable, egotistic adopted town. And New York’s historical quirks are only one of the many things that whet his interest. In 21 Dog Years: Doing Time @, his breakout piece, Daisey ponders his and our national obsession with getting rich in the shadow of the Internet. And Monopoly!, which he’ll perform at Zero Arrow Theatre May 1-5, brings together the war between Thomas Edison and Nikola Tesla over electricity, Microsoft’s anti-trust suit, the history of the board game, and the wolfing of the performer’s home town by Wal-Mart. Sounds like a lot to chew, but the guy’s got a big mouth.


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