Online Hubbub: Let Me Down Easy, Friday, October 3, 2008

October 3, 2008

Which character was your favorite and why?

“The doctor in the hospital in New Orleans, because I have had my own denial about the varying levels and degrees of personal and institutional racism in our country - her insights hit home for me.”—Sherrad B.

“I thought the characters dealing with the Rwandan genocide were most powerful, especially those whose grace was built around forgiveness and reconciliation. Rwanda is a miracle of forgiveness and grace.”—Edward M.

Who else would you suggest that Anna interview in her ongoing exploration of grace?

“Survivors.”—Sherrad B.

“Eugene McCarthy for believing that poetry and humanity can exist in the soul of a president; Barbara Jordan for knowing that truth will always transcend power; Eugene Debbs for everything.”—Edward M.

Have you experienced grace in your life?  How?

“Everyday the Grace of the Creator touches me in some way and I am full of gratitude.”—Sherrad B.

“In studying the films of the Soviet filmmaker Andrei Tarkovsky with Professor Ray Carney at BU some years ago, I discovered through the arc of his film several principals that are the children of grace: humility, remembrance, sacrifice, place, redemption and the absence of noise.”—Edward M.

Other Comments

“THANK YOU!!!!”—Sherrad B.

“I thought Anna’s performance was remarkable on many levels, but mostly in the way she was able to use language to give elegance to even the weariness of human misfortune and agony.”—Edward M.


Online Hubbub: Let Me Down Easy, Tuesday, September 30, 2008

September 30, 2008

Which character was your favorite and why?

“The woman from South Africa working in the orphanage. I lost my mom when i was a baby and the compassion she expressed and exemplified gave me a lot to think about. I also loved the Dr. Gomes last piece in Mt. Auburn. My family has had a lot of loss in the last 6 years and we have learned to grieve and then try to celebrate the loved ones.”—Nora H.

“Probably, the woman from the South African orphanage. She evinced the most eloquent humility (which, I suppose, might be a “definition” of “grace” in itself.).”—Rich L.

“Ann Richards: energy, humor, recognizability.”—Ephraim D

“The last one because it remind me that we should live life in life…”—anonymous

“The orphanage worker at the end of the play. She possesses optimism and embodies grace.”—Pamela M.

“Rev. Gomes - his observations on the dying and death. Caring and comfort for both the dying and those who live on.”—Blake A

“The director of the orphanage in Johannesburg. Her ability to just be with the children. Also Anne Richards and her “chi” - I interpreted this as how to set boundaries around our vulnerable selves and choose how and whom to relate to.”—Paula F

“Peter Gomes because I have seen him speak and his character was played to perfection—not only his mannerisms but his intellect.”—Bill H

“All of them because they all spoke to my heart, I enjoyed greatly the Buddhist monk because he reminded me so much of my personal experience with Buddhism.”—Carlos N

“Ann Richards because we knew her and loved her and ADS brought her to life. Any of the Rwandan women whose pain was so vivid that one still hurts in their memory.”—David and Judy S

“Ann Richards because she was the most recognizable to a broader audience… (The Harvard crowd appreciated all the Gomes material but I wonder how that all would play in Cleveland or Tacoma.) Ann Richards was a smart, funny, honest woman respectfully re-enacted by Ms. Deavere Smith. The second act moved much more smoothly than the first. The juxtaposition of comic moments followed by intense, serious reflections worked well…as did the use of shorter interview segments. I was also struck by the character that ended the first act…so powerful.”–PFrontera

“My favorite was the caregiver in the New Orleans “charity” hospital who would not leave her people - and maintained their dignity and value by being one of them. There were many touching characters - I would love to see the whole piece again.”—Elisabeth T.

Who else would you suggest that Anna interview in her ongoing exploration of grace?

“Someone concerned about the environment–a botanist or biologist.”—Vermillion Flycatcher

“I would suggest she interview the teachers of very young children who are underpaid but so highly effective and necessary in this world. The woman who taught my now college age son in K1 is still a woman we mention in our ‘grace before dinner’. Mrs. Maguire saved him from sadness and hurt after a time of bullying that had altered his personality.”—Nora H.

“I suppose politicians might be interesting (though it might be best to talk to ex-candidates, or wait until after the election…) Philosophers and poets (of course.).”—Rich L.

“The Pope, a prisoner, a child, a hooker, an addict.”—anonymous

“I’d love to hear about the soldiers coming back from war who have lost body parts and are making a transition to a new life. Grace must play a role.”—Pamela M.

“Those groups (medical, foundations, volunteers) trying to build health care facilities around the world. They need to understand grace.”—Blake A

“Caretakers of parents.”—Paula F

“Something should be added regarding the grace of birth. Perhaps this was covered in the interview in the garden, but the grace of new life both human and animal.”—Bill H

“Women who are pregnant, and nursing. That is an intense experience of the body, and of grace.”—R

“Sarah Palin…. just kidding. Pema Chodron.”—Carlos N.

“George Bush and Dick Cheney and Don Rumsfeld.”—David and Judy S

“How about the Amish families from Lancaster County, Pennsylvania that forgave the man that shot up their school house and then reached out to his family? Also, if you have not already interviewed her yet, immediately get to Ellen Stewart, founder of La Mama etc. in New York. Mama, as she is affectionately known, is a powerhouse woman of color who has been a source of grace for many. Seriously, learn about her and get to her…she will change your life!”—Pfrontera

“The disenfranchised are a wonderful source of stories of grace; they are more connected to real issues - or perhaps they are more honest!”—Elisabeth T.

Have you experienced grace in your life? How?

“I have experienced grace through learning about nature and sharing that learning experience with others, either those who teach me or those who simply share the experience.”—Vermillion Flycatcher

“I have been extremely lucky and have encountered it in rare and wonderful places as well as in the everyday mundane living of one’s life. I met a woman on the Island of Iona who literally stopped in the middle of the road to ask her God to bless me and take the sadness away. I had buried four people in six months and was weighed down by grief. She was a pilgrim from New Zealand and in our chance encounter in the Abbey we learned why each of us was there. She was a minister with a street ministry in NZ and felt very comfortable simply talking to God and asking him to help me cope with loss and sadness. I left the island with a sense of wonder and yes, grace.”—Nora H.

“I suppose I’d have to define the term first (though perhaps it’s essentially always being “defined” in the flux of everyday experience.) I imagine grace manifests itself in small acts of kindness, which do stand out in memory; unexpected generosities and sharings, of which I’ve been fortunate enough to have been the “donor” and recipient, as are most people.”—Rich L.

“Swimming in amniotic fluid.”—Dennis F.

“Recently, I’ve been thinking a lot about a theme that was in the background of many of the pieces: the relationship between the word “grace” and the word “gratitude” or “gracias”–that the feeling of gratitude and thankfulness (which is not always possible) is in itself a force of grace. The Calvinists were not crazy when they talked about grace as something that comes from God and cannot be earned–it fits our experience that some people are able to look at this too-short and too-hard life and feel happiness. Happiness is grace–it might be that simple. And the Calvinists may be wrong that we can’t prepare ourselves to accept grace–maybe forgiveness, love, understanding, and the willingness to see the good and/or the suffering of other people are prerequisites of grace. Happiness, as Ann Richards says, is largely a state of mind. Happiness, the monk says, is intrinsically tied in with expanding circles of being so that we connect ourselves to other people.”—M.H.

“I am a very radical person and I love someone or I just don’t like it at all. Many times it is very difficult for me to let it go when people “break my heart”. Thank God I have a few special friends that help me to see the bright side of me instead of my shadow.”—anonymous

“I’m still working on the definition of grace, but I believe I have received blessings in life. Through acts of kindness by others and the grace of something larger than myself, I learn daily lessons of gratitude and the need to give back.”—Pamela M.

“A young nurse named Susan who cared for me when I was very ill with cancer - I don’t know what happened to her. Her grace, as she helped me, is something I will never forget. I will always hold her close to my heart for the grace she exhibited.”—Blake A

“Yes - through caring for my father for the last 6 years of his life. Grace was to me the opportunity to release my anger towards him and see him as a full human being, not just as a parent. It was different from forgiveness as there was nothing to forgive, just allowing other perspectives into my emotional life with him.”—Paula F

“Today I experienced grace because I came to the play with my parents who are from Flint, Michigan. They are voting for John McCain. My mother loves Sarah Palin. I am voting for Barack Obama. Sometimes I find it difficult to share things I love with them because we have very different values. I wanted to bring them to the play because I wanted them to experience Anna Deavere Smith, who is one of my favorite performers, but I was also afraid they wouldn’t like it; maybe too intellectual, too left-leaning. Well, they loved it. We were all very moved. So, grace for me is this power of art to bring us together.”—Dakota Cole

“Grace is a second chance, available to many who have suffered a misfortune. The film “Babette’s Feast” makes this point dramatically, not in the form of a lecture.”—George F

“Most recently, my wife, her sister and her husband and I spend the last week of my mother-in-law’s life at her bedside. An 85-year-old woman who was not ready to die quite then, once she knew that her passing was inevitable she made a shift that amazed us all. While I could spend a long time detailing what mom was like during those final hours, what really matters here is the GRACE she exhibited as she was preparing for her last breath. For myself (us all) her passing embodied one of the powerful manifestations of “grace-in-action”. It was her mindfulness of not just her passing but her compassion for all of us surrounding her, all the way to her youngest great grandchild.”—Carlos N

“We all have. The trick is to recognize it. It doesn’t happen just once. And it isn’t necessarily a pleasant experience. (See any story by Flannery O’Connor).”—David and Judy S

“Many times. My sense of the grace I have received has happened to me when I have had to deal with a difficult situation in my own life –initiating divorce, dealing with cancer—and I have felt safe, cared for, and okay!”—Elisabeth T.

Other comments?

“This was one of the most profoundly moving pieces of theatre I have ever seen. As a theatre professional I see theatre and take my students to a lot of it. We were all so incredibly moved that it was difficult to leave the theatre and rejoin the outside world.”—Nora H.

“I am grateful to Ms. Smith for engaging with this question, not one to which I’d given much thought.”—Rich L.

“The piece felt sprawling to me, the through line was hazy at best.”—Ephraim D

“I think Act I is a complete entity, and I was very moved by the end of Act II (partly because I’m a parent), but I think there is some kind of disconnect between the Acts. She is a brilliant performer - brilliant - and excellent interviewer, collage artist…but a little more dramaturgy is needed to make the whole thing coalesce.”—R. Lawson

“I wish the monk’s comments about extending compassion to other people had been tied in more obviously to Power’s comments about contracting circles leading to genocide.”—M.H.

“I liked the play but wished for more connections between the emphasis on the body and the theme of grace. The play struck me as a bit fragmentary. I am not speaking about a desire for linear development, but a bit more tightening of the overall structure. Great acting, of course.”—Pamela M.

“Grace is compassion, poise and understanding that go far beyond the rational or instinctual response to events.”—Blake A

“Thank you, Anna, for this ongoing work.”—Paula F

“Anna, you have a phenomenal talent and energy. Thank you for sharing your power & emotion with us. It must be draining. I loved the methodology: interview, choice of narrative, and bringing the character to life. Fabulous. It seems to me that you are still trying to find the meaning of grace… I will enjoy seeing where you are further along the journey.”—Diane D.

“It was OK, but 2 1/2 hours is too long and she didn’t make it clear what point she was making. No one that I know would want to listen to me for 2 1/2 hours talking about what is wrong with the world. I would not consider this “drama,” which makes a point through suggestion and metaphor — it was a documentary of the author’s experience. Not why I go to ART.”—George F

“What a tour-de-force!”—Carlos N

“ADS has such talent and energy and empathy, and her intentions are so good, that it seems ungracious (sic) to criticize the performance. But the focus is a bit blurred, and after suffering with the victims of Rwanda, the lecture from the Dean of the Medical School about the lousy American health care system seems a bit of an anti-climax. And the script needs an editor; not all the theologians have anything to say that I would pay theater ticket prices to listen to.”—David and Judy S

“Let Me Down Easy was wonderful! Anna Deveare Smith has remarkable talent. Her presentation moved well, NEVER dragged and she “created” wonderful characters. I found her stories touching and real, but not sappy. Thanks for another great theater experience.”—Elisabeth T.


Online Hubbub: Let Me Down Easy, Saturday, September 27, 2008

September 27, 2008

Which character was your favorite and why?

“More than any one individual character, what was so impressive was Anna’s ability to move seemingly effortlessly from one character to another and to make the transformation so convincingly. I particularly like the juxtaposition of the commentary by “experts” on a topic and the thoughts and feelings of the “victims” of genocide or the health-care system.”—Mary H

“Reverend Gomes, Ann Richards. I love them both and she had them down perfectly.”—Bob V

“The lady who was not going to have dialysis and who lost family members.  I liked this character because it seemed like one of Anna’s strongest acting of all the characters.  I mean she did great with all of them but this one seemed like the character was totally her (If that makes sense).”—Scott D.

“I loved them all… the Rwandan women were very powerful and I will never forget them.  The gardener and the loving and poignant passing of the (Schubert) bells was so very tender and touching.”—Cecelia C.

Who else would you suggest that Anna interview in her ongoing exploration of grace?

“Anna Bissonette at Boston University School of Medicine and Boston Medical Center who is a faculty member and nurse who has dedicated her life to providing shelter and health care to homeless, frail and elderly people. She is a person with grace.”—Mary H

“Barack Obama.”—Bob V

“I think she should explore more sports figures. Also, she should explore more people who work in middle class jobs.”—Scott D.

Have you experienced grace in your life?  How?

“I have experienced grace in the love and relationships I have with my family.  When I looked into the face of my newborn daughter, now 26 years old, I experienced a moment of joy and profound connection which I thought must be what makes me human and what giving meaning to my life.  When my husband of 30 years was diagnosed with cancer, I remember crawling into his lap and saying, Please don’t leave me. The terrible fear of the loss of someone who gives meaning to my life, who graces my life, was overwhelming. Maybe it was the loss of grace that so scared me.”—Mary H

“Yes, I will never forget or adequately describe my experience of grace with my dear mother’s last days/minutes/seconds before the bells…”—Cecelia C.

Other comments?

“This play was an amazing experience that I wish all people could have. Anna is doing a wonderful service while providing a moment in time that is memorable and meaningful.”—Mary H

“I truly liked the way the show was constructed.  I know a few people around me felt that the set and costumes were too simple.  I have to strongly disagree.  I felt that the set and set pieces and costume and costume pieces were done great.  It was simple but at the same time it really was not simple.  I also felt that her characterization of the various people was done well and that that she really did her homework and made me believe she was the character portrayed.   If I was not from California and heading home soon and from the local area I would definitely see it again and bring others with me.  This is a must see show.”—Scott D.

“I loved Anna’s performances - I could not take my eyes off of her and all those painfully sad, beautiful, sorrowful, brave, thoughtful, courageous, gentle, and graceful beings she brought with her to the stage last night.”—Cecelia C.


Online Hubbub: Let Me Down Easy, Thursday, September 25, 2008

September 25, 2008

Why character was your favorite and why?

“All the characters were pretty much of a muchness - just different stances that she might do in an exercise class. It seemed to be about Anna going here and Anna going there and Anna being various Annas…”—Jennifer J

“The doctor in the charity hospital in New Orleans; I think I identified with her desire to believe that individual effort can triumph over political realities, and empathized with the shame and sadness she felt when she had to recognize that wasn’t true.”—BTM

“Amid the vast cast of characters, those with the most distinct voices - often therefore those with a more comic or lighter dimension to their stories, in all the woe  - stood out, so the doctor/administrator who was a hospital patient whose files got lost was remembered fondly afterwards, for example.  On the whole, the pace, variety, and volume of voices became, for my ability to follow, somewhat problematic, and my advice (as if this genius needs my advice) would be that less could be more here…. Of course, the multi-faceted approach, dramatic cubism, as it were, is key … but I wasn’t quite equal to the entirety and became a tad overwhelmed.”—Spectator B.

“Young Rwandan woman at Stanford now (6 during genocide) - so real without bitterness - SHE is a healer.  In Health: Stanford Dean - what he said about health care system.  The Imam - Americans need to hear from more Imams, and the final speaker on life and death.—Shulamit S.

“Probably the (now) young woman at Stanford who was able to forgive her family’s killers–but made it clear that it was only once they came and asked to be forgiven…and that there is an in-between stage in which one holds on to what happened.”—meh-k

Who else would you suggest that Anna interview in her ongoing exploration of grace?

“No one - unless by a process of swapping & editing leaving a more manageable final product.”—Spectator B.

“Other children? A child in health care system? (Dana Farber?) Hospice worker? Not sure if it fits thematically with other characters (closest to the jockey), athletes, dancers (Judith Jamison).”—Shulamit S.

Have you experienced grace in your life?  How?

“Let’s hope we all have … somehow!?  When I’ve finished my multi-volume opus on the subject and actually understand it, you will be the first to know!”—Spectator B.

“Anna’s work is grace - the creation, the performance, the lasting take-away.    I cannot imagine her doing that work without grace.”—Shulamit S.

“But to me, grace is really different from any of those aforementioned things. To me, grace is a very specific sweet, salutary, poignant, charged, soft, powerful, special moment.”—meh-k

Other comments?

“Not her best show by far.”—Jennifer J

“I love Smith’s work and teach two of her other plays.  But this is just a mess. It’s got no focus, badly needs editing, and in truth, I don’t get the impression that A.D.S. believes in it as strongly…her performances of the characters was not as sharp.  She’s trying to tackle far too many topics here.  And in truth, I have no idea what she was getting at.”—Gino D.

“Any Anna Deavere Smith performance is powerful and moving and thought-provoking, this one didn’t quite hang together for me. The scale of the horror in Rwanda knocked everything else off the table; I needed one entire evening to grapple with how grace and forgiveness can possibly function in such a situation and another evening for health care and death in America.”—BTM

“A challenging and valuable night out!”—Spectator B.

“Thank you Anna. Thank you A.R.T.”—Shulamit S.


Online Hubbub: Let Me Down Easy, Wednesday, September 24, 2008

September 24, 2008

Which character was your favorite and why?

“My first impulse is to say Elizabeth Streb because her portrayal made me laugh at its outrageous humor, but Trudy Howell made me weep which is just as important.”—Jo F.

“Trudy Howell because she seemed to be spiritually committed and convinced of her mission with these children.  She respected those dying children and treated them with dignity and carefully ushered them on a holy passage to the other side.”—Claire P.

“Ann Richards because it was so out of the character of all the other people she played and it was done well.”—Karl H.

“I thought the Stanford Dean, Phil Pizzo, was spot on in his assessment of our deteriorating health care system.”—Sara

“The woman in Rwanda who knew that grace came from her and that it was the cornerstone of forgiveness to keep herself full of grace she forgave.  Similar to the amazing grace-filled Desmond Tutu and his book on forgiveness.”—Julia M.

“Most amusing: hard to pick between Katz and Richards.    I’m still trying to recover from all the really tough stories, so I can’t pick.”—John H.P.

“The Rwandan girl who is not at Stanford. What a range of life experiences in one short life. And, what depth of grace to not hold the hate. Amazing. And to think of what small pieces of “hate” we hold day to day. She, in my mind, more transmitted a sense of grace.”—Anne O.

“Doctor at Charity Hospital in New Orleans–memorable, learned a lot from her, very much from her heart.  Some characters were too much from a heady, intellectual place for me to feel their impact.”—j.s.

“Peter Gomes was perfect.  The English professor was very touching.  I liked the other black preacher, too.”—C. Thomas

“There were three characters who seemed to serve as bridges between my relatively secure white, middle class world of privilege and an edgier more uncertain place that can be both frightening and grace filled.  Each character was familiar enough to engage me thoroughly and then to pull me out into an utterly new experience.  I speak of Cheryl Diaz Meyer, Kiersta Kurtz-Burke and Peter Gomes–particularly as he spoke about death and dying.”—Kathy K.

Who else would you suggest that Anna interview in her ongoing exploration of grace?

“Jimmy Carter, Mos Def, Paul Mooney, Mrs. John Edwards, Mrs. Elliot Spitzer, Ruth Kennedy, Maya Angelou, K. D. Lang, Tupac Shakur’s mother, Yao Ming, Roland Gibson, Jr.”—Claire P.

“Nelson Mandela.”—Karl H.

“Princess Diana.”—Sara

“More American individuals. Perhaps someone on Death Row who has gone through a spiritual transformation. Other possibilities: disabled veterans, elderly individuals.”—Carolyn G.

“Since I’m an architect - I’d suggest she search out some people there.”—John H.P.

“Rev Desmond Tutu and His Holiness the Dalai Lama.”—Anne O.

“Barack Obama; Deval Patrick; John McCain; Jon Lester (Red Sox pitcher/cancer survivor).”—j.s.
“What about a sculptor?  Or Oprah?  Or a fashion model (this on the body theme)?”—C. Thomas

“There are those who find grace in embracing the natural world–in cherishing the environment.  I think of young farmers making real the dream of sustainable agriculture, of people making conscious choices in what they purchase and what they eat.  I think of the poet Wendell Berry…”—Kathy K.

Have you experienced grace in your life?  How?

“Yes, from my child who was born with Down syndrome who died two years ago. He accepted his life with uncommon grace, saying when he faced one of his many challenges, ‘A man’s gotta do what a man’s gotta do’.”—Jo F.

“That I am alive another day.  All the moments of grace add up to that.”—Claire P.

“Yes.  My wife and I were looking for a teak platform bed.  We found one on Craig’s list and missed a beat and someone else called the owner first.  We were coming to the play and knew we could go by and look at the bed afterwards and the man kept it for us and we were able to see it, love it and put a down payment on it.  Grace.”—Karl H.

“Yes, in therapy.”—Sara

“I am an active member of a 12 step recovery program and have been for many years. I have learned to give back to my community, help people in trouble and it has transformed my life, enhanced my abilities as a poet and community activist.”—Carolyn G.

“I have; by loving with my whole spirit, mind and body the peoples of the world. I only see it in flashes but I know it is the way the world will be in harmony though the harmonic of love that grace slides on between us all.”—Julia M.

“Seeing a once-abused cat now full of life is one of the ways I experience grace.  Receiving birthday greetings from colleagues in learning is another.”—John H.P.

“My greatest experience is in the depth of compassion felt by His Holiness the Dalai Lama. The compassion he has for the people who have not only taken his country and virtually destroyed their culture, but he holds no hate or anger against the Chinese for the many many Tibetans killed, imprisoned and tortured. He also does not know how to hold the hate or the anger. True grace.”—Anne O.

“Certainly. Every day. I’m just not always wise enough and alert enough to recognize it.”—j.s.

“Grace comes to me when I’m not looking for it.  Suddenly, a sense of peace, a sense that everything is beautiful, including me.”—C. Thomas

“Indeed I have.  When my husband died eight years ago family members, friends and even strangers somehow wove a net of love and safety around me that still graces my life today.”—Kathy K.

“Grace is an unexpected smile or kind word in the midst of adversity.  Grace is silence and an open heart to truly hear what another is saying.”—Donna L.

Other comments?

“I thought this was journalism trying to become a play and not succeeding.”—Bill

“I suppose I would like Anna to explore the life of people who struggle every day with mental disabilities. They are far more eloquent than anyone would expect. I have experienced pure unvarnished wisdom from my son and others who are considered defective by society.”—Jo F.

“Too many vignettes, imitations not good enough, play did not move me.” –ed s.

“Though the play was very good in terms of energy, it needs a fair amount of editing. I particularly found this to be true when Ms. Deavere Smith was dealing with the Rwanda crisis, felt less commentary was needed. Additionally, the play is currently too long.”—Carolyn G.

“Thank whomever; God or the gods or Buddha or Mohammad for Anna Deavere Smith.  She channels the wisdom of the world much like another hero of mine Buckminster Fuller.   I am so moved by her.  This time I brought my son for him to hear so he can experience the “POWER; POWER; POWER” of Grace.  I did love the Reverend also.   Thank you again.”—Julia M.

“I thank Anna for opening our eyes and hearts to the power of the human soul.”—Anne O.

“Was curious about why A. D. S. included as many intellectual characters as she did. They seemed to be less memorable than many characters in her earlier productions in which emotion was more predominant, and more impactful.”—j.s.

“I loved the show.  ADS is an amazing actor!”—C. Thomas

“Thank you for the gift of your work.”—Kathy K.

“I do not think that ART should present “works in progress” except at “works-in-progress” prices and with a clear indication in the pre-publicity that it IS a work in progress. Had I known that, I would have waited until the playwright had sufficiently thought through and finished the work.”—S.L.S.